5 Movies Denzel Washington Would Like You to Forget

By Andrew Khellah – Screentimed.com

Even the greats miss sometimes. For every “Training Day” and “Malcolm X,” there’s a film Denzel probably hopes you never bring up at dinner.

Denzel Washington is one of the most consistently brilliant actors of his generation.

Even his average performances are better than most actors’ best.

He’s a two-time Academy Award winner, a master of intensity, and one of the few stars who can elevate an ordinary script into something mythic.

But even Denzel—yes, the Denzel—has a few titles hiding deep in the back of his filmography that fans either never saw, never finished, or never want to talk about again.

This isn’t disrespect. It’s film history with a smirk.

Because every legend has a few “what were they thinking?” moments.

So here it is — five films that Denzel Washington would probably like you to forget.

Heart Condition (1990)

Before Training Day, before Malcolm X, before the Oscars — there was Heart Condition.

Yes, this actually happened.

Denzel plays the ghost of a lawyer who teams up with a racist cop (Bob Hoskins) who literally receives his heart after Denzel’s character dies. Together, they solve his murder.

It’s part supernatural buddy comedy, part cringe relic of the late ‘80s.

The tone is everywhere, the concept is bizarre, and watching Denzel—arguably the coolest man alive—reduced to a quippy apparition feels like film-school satire.

You can’t blame him for taking early-career risks, but this one? He probably doesn’t keep the poster framed in his house.

Virtuosity (1995)

Ah, the mid-’90s: when virtual reality thrillers were the future.

In Virtuosity, Denzel plays a cop chasing a cyber-killer composed of hundreds of serial killers’ personalities, brought to life by a young, manic Russell Crowe.

It’s campy, loud, and visually dated in all the wrong ways.

Crowe chews the scenery like it owes him money, while Denzel—ever the pro—plays it straight as if he’s in Heat.

Today, Virtuosity plays like a time capsule of bad CGI and misplaced ambition. Still, it gets partial credit for introducing two future Oscar winners to each other.

The Bone Collector (1999)

On paper, this looked like a hit: Denzel as a brilliant quadriplegic detective, Angelina Jolie as his rookie partner, and a grim serial killer to chase.

But the execution (no pun intended) left fans cold.

It’s not terrible—it’s just mechanical. Denzel spends the entire movie confined to a bed, barking exposition through voice commands, while the script goes through CSI motions without emotional stakes.

For an actor who thrives on energy and movement, this role felt like someone dimmed his natural voltage.

Even Denzel can’t save a movie that’s more crossword puzzle than crime thriller.

Out of Time (2003)

Denzel reteamed with Devil in a Blue Dress director Carl Franklin for this Florida-set noir.

It should’ve been great—sun-drenched, sweaty, and morally complex.

Instead, it’s like a Lifetime movie with an A-list cast.

He plays a small-town police chief caught in an affair, a murder plot, and a pile of contrivances.

It’s not bad, but it’s mid-tier Denzel: charming, tired, and clearly overqualified for the material.

Out of Time proves that even the best can’t always find chemistry between pulpy writing and glossy production.

Safe House (2012)

When you cast Denzel Washington as a rogue CIA agent opposite Ryan Reynolds, you expect fireworks.

Instead, Safe House delivers shaky-cam chaos and a forgettable script that feels ripped from the Bourne leftovers bin.

Denzel is predictably magnetic—but the film buries him under relentless editing and generic dialogue.

He gives the role 100%, but the movie gives back maybe 45%.

In a career filled with nuance, Safe House is proof that even Washington can’t out-act a script made entirely of car chases and explosions.

Even Denzel’s “bad” movies have flashes of greatness—moments where his discipline, timing, and charisma break through the cracks of weak material.

But that’s the mark of a true icon: his worst work is still watchable.

He’s one of the last movie stars who can walk into a scene, raise an eyebrow, and make everyone else disappear.

So yes, he may have a few titles he’d rather you forget.

But let’s be honest — even Denzel’s misfires are better than most actors’ dream roles.